C. R. E. Wells, to let lack


Timglaset proudly presents a new 8-page leaflet by C. R. E. Wells:

This short sequence resulted from one of my many attempts to create digital work originating from physical mixed-media pieces. The phrase “to let lack” appeared in the original collage, and it resonated with my experiments in brightness/contrast, blurring, erasure, and other “subtractive” techniques.

C. R. E. Wells lives in central Ohio, USA with his wife and animals. His work has appeared online and in print in several publications. His visual works have been exhibited locally and internationally. He shares poetry, visual poetry and mail art regularly on his blog. In 2017 Luna Bisonte Prods published Twofold Silences, a chapbook of procedural/visual work.

to let lack was manufactured in an edition of 49 copies, of which 25 are for sale. Printed in full colour, a5 format, on 120 g ivory paper, handbound with brown, black or natural colour thread. 8 pages.


Download a free pdf of to let lack  here!!


Timglaset #7 Errata

Errata cover Kit Records KR26 version

Timglaset #7 Errata is a celebration of artistic mistakes, the use of errors and glitches in
a creative way, and other interpretations of the word.

It is also a collaboration between Timglaset and our friends Kit Records, born out of mutual respect and devotion to diy ideals.

The package contains 44-page full colour zine and 39 min, 12-track tape, both enclosed in a clear plastic bag.

Zine contains new art and writing by Anthony Etherin (UK), Bengt Adlers (SE), C.R.E. Wells (US), Dawn Nelson Wardrope (UK), Eva Jacobson (SE), Francesco Aprile (IT), Jane Pearrett (UK), Johannes S.H. Bjerg (DK), John M. Bennett (US), Jonas Ellerström (SE), Lina Nordenström (SE), Malcolm Green (UK/DE), Marco Giovenale (IT), Paul Tone (UK), Petra Schulze-Wollgast (DE), Rachel Defay-Liautard (FR), Robin Tomens (UK).

Tape contains new music and sounds by Amanda Feery (IR), Devonanon (UK/SE), Disasterpeace (US), Dolly Dolly & Time Attendant (UK), HALFNELSON (UK), Helena Celle (UK), Jake Meginsky (UK), Jib Kidder (US), Mary Lattimore (US), Michael Björn (SE).

Listen to one of the tracks on the tape:

Released 26 October 2017. The release party was held at Bookartbookshop, London.





Two new leaflets

This slideshow requires JavaScript.

Arrows & Bows by Anthony Etherin presents four palindromic poems, each inspired by visions of archery in ancient or mediaeval warfare. The first poem is palindromic by letter, the second by pairs of letters, the third by trios, and the fourth by quartets. With each palindromic verse is a compimentary concrete poem, symbolically illustrative of its palindrome.

Anthony Etherin is a UK-based writer of experimental poetry and music. He has published numerous leaflets and chapbooks and runs Penteract Press.

Twice folded leaflet, printed with two colours on both sides of Folia ivory coloured paper. 50 copies, of which 30 are for sale.

rhythm (for Josef Albers) is a new typewriter poem by petra schulze-wollgast, inspired by the work of the German artist and Bauhaus teacher.

petra schulze-wollgast is an artist and printmaker in a multitude of techniques, based in Rostock, Germany. Earlier in 2017 Timglaset released her book ciphertext. She has released numerous artist’s books, chapbooks and leaflets.

Thrice folded leaflet, printed with two colours on both sides of Folia ivory coloured paper. 40 copies, of which 20 are for sale.


Download Arrows & Bows as a free pdf!

Robin Tomens: Prints

This slideshow requires JavaScript.

Robin Tomens is a visual artist and his new book Prints is an eruption of creative image-making. For those of us who follow his prolific output on his blog it’s no surprise that he can present 78 new images less than a year after Timglaset Editions published Too Much To Bear. On the other hand are these images the result of careful selection from a much larger body of work.

Those who are prone to look for influences in art might find traces of Sigmar Polke, Dieter Roth, Robert Rauschenberg, James Rosenquist and other great printmakers in Tomens’ art but Tomens’ imagery is his very own. Sourcing digital images of a wide variety he uses a multitude of manipulative printing techniques to create explosions of colour and form that are sometimes disturbing, often political in content and always engaging.

It’s a pleasure for Timglaset Editions to publish Robin Tomens’ Prints in an edition of just 10 copies. 84 pages, 78 full colour images + front and back, digitally printed, format: A4.



Timglaset #6: The Numbers Issue

a k a Timglaset Bag of Goodies.

For this issue of Timglaset 33 writers, artists and pranksters were invited to contribute anything that was flat, no larger than an A4 sheet of paper and could fit into a brown paper bag with bellows.

The result is a unique collection of art (analogue, digital, collage, painting etc), writing (experimental, visual, speculative etc), music (to be downloaded), a shard of a ceramic vase, a matching pairs-game and a do-it-yourself-art-kit.

Most of the artworks have been carefully reproduced digitally but five works are multiplies. One bag includes Carina Granlund’s original assemblage (handmade paper, collage and yarn), the other 98 reproductions of her work.  One copy of another artwork contains a spelling error which is quite funny.

Contributors to this issue: Amanda de Frumerie (Sweden), Bengt Adlers (Sweden), Bobbilott Fika (Sweden), Carina Granlund (Finland), Chris Wells (USA), David Price (UK/Sweden), Dawn Nelson Wardrope (UK), differx (Italy), Dolly Dolly (UK), Gloria Glitzer (Germany), Ingemar Breithel (Sweden), Interzone+ (Sweden), James Robert Moore (UK), Jane Pearrett (UK), Joakim Norling (Sweden), John M Bennett (USA), Kyle Flemmer (Canada), Marc Deb (France), Michael Björn (Sweden), Michelle Michalczik (Germany), Paul Hawkins and Steve Ryan (UK), Paul Mysterioso (USA), Paul Snowdon (UK), Paul Tone (UK), Per Engström (Sweden), pete spence (Australia), petra schulze-wollgast (Germany), Robin Tomens (UK), Sacha Archer (Canada), Sofie Herner (Sweden), Sternpost (Sweden), Tom Bäcker (Germany), Volodymyr Bilyk (Ukraine).

33 contributors, 99 copies, of which 33 are for sale for 99 SEK (9,9 Eur) each. 


Derek Beaulieu: ABC – An ABeCeDarium


Do you remember your first alphabet? It might have come in the shape of a book with funny pictures depicting animals and objects beginning with a, b, c etc. Or maybe it was a school poster with all the letters, both capitals and lowercase, in an easy to read font. The alphabet is forever inscribed in all of us as the beginning of all reading and writing and that is what makes Derek Beaulieu’s ABC – An ABeCeDarium so special. It’s not an alphabet for novices but rather one for those who are eager to relearn what an alphabet can be and how it can be used.

In ABC Beaulieu uses two outmoded techniques – ink and dry transfer letters – to create an alphabet which is far removed from the one we learned at school but no less beautiful. The dry transfer letters are old and seem to be falling apart, their outlines fractured and parts of individual letters missing completely, creating a kind of beauty which is perfectly in tune with a society where the meaning of words and sentences seem to be crumbling. The ink adds another layer of refreshing destruction to these ragged letters. Blots, splashes and stains further obscure their original shapes.

Derek Beaulieu, ABC – An ABeCeDarium, 32 pages with 26 plates printed in black and white, handbound with a handmade cover. Edition of 99 copies. 8 EUR + postage.

Derek Beaulieu is the author of 8 collections of poetry including with wax, fractal economies, ascender / descender, kern, frogments from the frag pool (co-written with Gary Barwin) and Please no more poetry: the poetry of derek beaulieu (Ed. Kit Dobson). He has also written 6 collections of conceptual fiction, the most recent of which are a, A Novel (Paris: Jean Boîte Editions, 2017) and Konzeptuelle Arbeiten (Bern: edition taberna kritika, 2017). He is the author of two collections of essays: Seen of the Crime and The Unbearable Contact with Poets. Beaulieu co-edited bill bissett’s RUSH: what fuckan theory (with Gregory Betts), Writing Surfaces: fiction of John Riddell (with Lori Emerson) and The Calgary Renaissance (with rob mclennan). He is the publisher of the acclaimed no press and is the visual poetry editor at UBUWeb. Beaulieu has exhibited his work across Canada, the United States and Europe and is an award-winning creative writing instructor. Derek Beaulieu was the 2014–2016 Poet Laureate of Calgary, Canada.

Selected titles by the same author:
a, A Novel. Paris, France: Jean Boîte Editions, 2017.
Konzeptuelle Arbeiten. Bern, Switzerland: edition taberna kritika, 2017.
En vision av Linjeland. Stockholm, Sweden: Chateaux, 2016.
The Unbearable Contact with Poets. Manchester, uk: If P then Q, 2015.
SLOT no. 11. Stockholm, Sweden, November 2015.
Local Colour: Ghosts, variations. Malmö, Sweden: In Edit Mode Press, 2012.
Local Colour. Helsinki, Finland: ntamo, 2008.
dsol. Oslo, Norway: Forlaget Attåt, 2008.

Order now!
8 EUR + postage 1,40, within Sweden

Buy Now Button

8 EUR + postage 2,80, rest of the world

Buy Now Button

pete spence: Some Artefacts.

New from Timglaset Editions, our smallest book so far: Some Artefacts by pete spence. 

Some Artefacts is a collection of 15 brief aphorisms about artists and art movements.

If art and poetry is about making us see objects and concepts in a new light, then pete spence surely is a masterful poet. And a humorous one at that.

pete spence was born in Australia in 1946. He is a visual poet and writer. He has published numerous volumes of poetry, edited many magazines, curated exhibitions of visual poetry and participated in the mail art network for many years.

His latest collection of poetry is Red Duck (Accent Editions, 2016) and anyone who has received one of his colourful collage postcards should consider themselves blessed.


the block